This means that no matter how many notes you play in a chord, no more than 16 players (depending on the instrument) will sound. Therefore, it is possible to implement a true divisi when chords are played. Each player was recorded separately and is additionally programmed in its own group in Kontakt. (See DivisiLive® below.) DivisiLive®Ĭoncert Strings 3 uses up to 16 different players in each instrument. An easy-to-understand and truly authentic “auto-divisi”. They sound great on their own, or they really do add a new dimension to any existing string library you may already have. ![]() Concert Strings 3 has been tested in this way using many other popular string libraries, and the results were quite dramatic. The idea of the latter being to add vitality and complexity when mixed or layered with these other libraries. ![]() While there are many good-sounding string libraries available today, it is our belief that there could be a more “in-your-face”, punchy and dramatic library that would not only sound fantastic on its own, but would work for users who were worried whether getting yet another new string library would both work on its own, and/or still work with their go-to libraries that they already invested in. A string library that really has more “life” to it, and is extremely playable. So in contemplating whether or not to develop yet another one, the focus would have to be filling a gap in this market. It’s pretty well-known that the market of good string libraries has become quite competitive. So Concert Strings 3, designed with an easy-to-use interface, and programmed to provide a fast workflow, is stuffed full of the requisite features you would expect from a high-end string library, and then some. However, containing features for the individual players was not enough. No more “bloated” sound and excessive polyphony when playing chords. The ability to control how “tightly” or “loosely” the players would start each note, thereby creating unparalleled realism. The ability to control each player’s panning. The ability to control each player’s volume. For example, in the 1st violins, you can create anything from a small "studio" section of four 1st violins, or call up a large ensemble of 16 1st violins. The unique advantages of using individual players was easy to see the ability to create various section sizes. 16 1st Violins, 16 2nd Violins, 16 Violas, 16 Cellos, 16 Basses That's 80 string players in all! Enter Concert Strings 3 which is comprised of up to 16 individual, separately-recorded players. There is no harder job in music, for you and your machines.After the 2014 release of Spotlight Solo Strings, which included 4 individual players, the idea came to create a library that could address even more up to 16. Here you can switch in realtime articulations.if you work fine, only proffessionals can tell the difference.800 bucks for 35 gigs of samples in the back.īut if you wanna mess with danny elfman and so on, take the big cube.Ī virtual instrument also from vsl.and close to 10000 bucks.i´m afraid.Īltiverb is another must when you aim at big scores.Īnd if you start with orchestrations, be ready for neverending night sessions, The closest to the real thing because you got performance tools.repetition mode, legato mode etc. Well, and if you wanna be ready for the real thing, and if you really wanna get close to an big orchestra.than it´s vienna symphonic libary.įor a good start and as a logic user take the opus bundle.a lib for the exs.Īlso the whole orchestra included, all taped dry and in center stereo. Some articulations are included but always different ones for the different instrument groups. The fastest way to get a small hollywood score done. ![]() If it needs to be the big wall of sound, go for the east west product.quantum leap, gold edition, around 1000 bucks, for a start.Īlso a whole orchestra, around 40 gigs of samples in the back.Īll pre eq´d and recorded at there classic position with three different mic positions, but in the end, all is wet here. Well that´s the biggest area in this business.įor easy money i suggest the motu symphonic instrument.ĭid some outlays for the last job with it and it´s the best "keyboeard"orchestra i´ve seen.around 250 bucks, with internal convolution reverb 8 gigs of samples in the back.īut there is not the real thing included, means, no articulations in details.
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